L
L
SCENIC, LIGHTING, AND COSTUME DESIGN…
The visual style of the physical production will emulate the artists of the American Art Nouveau period
L
- The breathtaking colors, dramatic play of light and shadow, and heightened sense of depth in the landscapes of Maxfield Parrish will serve as the inspiration for Little Mary’s sets and backdrops
|
| |
|
|
- Howard Barker (designer of the 1959 off-Broadway production) this time will use Parrish’s lush palette to create an idealized and fantastical vision of the world on “one perfect summer’s day”
|
|
|
- This painterly style is not only visually rich, but also creates enormous lighting potential—from a magnificent sunrise to a dramatic sunset to a starry night with a blue moon
|
LLL |
 |
| |
|
|
|
|
|
L |
|
|
 |
L
l
|
 |
|
L
|
- A wisteria arch, in the style of Louis Comfort Tiffany’s glowing stained-glass panels, will replace a more traditional proscenium and frame the entire production
|
LLLLL
L |
|
L
Click on the picture to see a larger view |
|
|
|
The women’s costume designs—by Gregg Barnes—will suggest Alphonse Mucha’s luminous portraits of beautiful women
- The faces will look beautiful and golden (suggesting both Mucha and Parrish)
|
|
 |
|
L
Click on the picture to see a larger view
L
The total effect will be one of exquisite production values, all in service of the piece.
|
|
 |
|
L
Click on the picture to see a larger view
L
Continued on the next page...
L
L
Page 1 | Page 3 | Top
L
Story | Music | Concept | Cast | Creative Team | Production Team
Who is MadjaLook? | Original Production | Schedule | Tickets
Goodie Box | Forum | Contact us | Guestbook | Home | Splash
|
|
|
|
